Coulda sworn it was Judgment Day
wouldn't fuck This was just before midnight, seconds before the world and all that was in it went spinning into the new millennium. Out came the tequila. Then it was "Ten! Nine! Eight!" and at "Happy New Year!" Sonya downed her shot spluttering and snorting, the booze scorching her nostrils, and almost instantly the whole night -- the whole century, it seemed -- swelled up from somewhere and everything went careening into a great vertiginous swirl of noise and light, and the next thing Sonya knew she was waking alone to the year 2000 and a head full of thunder. And everyone was gone. And the city was empty. And it was the end.
It was just Sonya. There was no one else left.
But, wait. That was not entirely true.
On the radio, on every station, inescapable on either AM or FM, was the Artist Formerly Known as Prince, now known as
jesus. What if
Holy, Debbie could not wait for
zipping westward on her snowmobile, bundled tight head to toe,
Over bridges and through empty states Esme drove her mother’s Audi, the thermometer dropping as she made her way east. She knew what the guy on the radio wanted. And now, why not? It wasn’t that Carlo hadn’t been The One, with his frantic grappling and the salami smell of his neck. Or that since the first occasion she’d allowed it back in October, at every opportunity he thudded his crotch into hers for forty seconds — and then he retreated gasping, like a waiter whisking away a bowl of soup before Esme had even had a taste. Not to mention that maybe three weeks prior there’d been this: “Shit, I think the condom broke” — that same waiter splashing soup into her lap. No, none of that mattered. There was no more Carlo. There was no more anyone. There was nothing left; nothing mattered at all. It was only Esme and the fat grey ribbon of highway, desolate save the few abandoned shells of tractor-trailers at rest stops every few counties — oh, and the voice on the radio, providing directions. Here was a toll, unmanned, and Esme blasted through, the barricade splintering over the hood of the Audi. She cheered and veered across the highway and back. The world was hers: seventeen years old and free. She honked the horn. She cranked the stereo. She stomped on the gas. “Fuck everything!” she screamed, as loud as she could, speedometer fluttering between eighty and ninety. But maybe now with snow and ice on the road she should ease up, so Esme did and breathed, and then hesitantly checked the rear-view, half in fear and half in hope of seeing another car reflected there, closer than it might appear, following behind.
“i just wanna let all U women know, each and every special one of U, first off right now that I know how lonely U R feelin’. But B4 you start to feel like no one’s left, know I can feel U out there. And I know U can feel me 2. And that’s why I’m telling U all right now, all U women left on Planet Earth, that we’re gonna make somethin’ special 2gether again. I want each of U 2 look out at the stars 2nite and know that we’re all lookin’ at the same sky, and I want U 2 pick just one star and imagine that I’m lookin’ at it 2. And wherever U R I want that 2 B UR guidin’ star. I want it 2 B the star that brings us 2gether, that brings U 2 me. And I want U 2 follow that star as long as it takes U, all the way 2 me, cuz I’m waitin’. I’m waitin’ here 4 U, women of Planet Earth. We gotta cum 2gether. Because it’s not over. We’re not thru. Cum 2 me. We can make it. If U believe in me, 2gether we can believe in love, and I believe in U.”
Back in the car, hangover settling into a dull throb at her temples and a mossy paste in her mouth, Sonya pictured him shimmying about in doilies and fabric cropped from his grandma’s plush sofa. “The Artist Formerly Known as Who the Hell Cares,” Sonya had called him the night before. “It’s not just that his music sucks,” she’d ranted, “or that he’s totally ridiculous. It’s more the hypocrisy that gets me. He’s a raging misogynist, and a homophobe, yet he’ll throw on garters and high heels and prance around like a drag queen. He doesn’t love women, he’s just confused. And ‘Pussy Control’? Come on, that’s just offensive.”
Now this — this Armageddon, or whatever — and here she was behind the wheel of the Accord and continuing south into the United States. The winter was everywhere: thirty below and the trees lining the highway garlanded with snow, and instead of sky there was a sort of absence above, grey and hanging there, emptily.
Sonya had always said the thing she craved more than anything was to be alone, mercifully alone, making art in some cabin secreted away in a deep dark wood. She would live on berries and delicious forest creatures roasted on spits; there would be much chopping of wood and a surfeit of profound existential thoughts sublimated into oil paintings and sculptures. And now here was that chance, offering itself up like a free, post-apocalyptic lunch.
But she couldn’t exist out there in peace while the planet was being reinhabited by a race of velveteen maniacs with symbols for names, all those toddlers wailing away on sparkling toy guitars, performing cunnilingus in the air, pooping into sequined diapers. And so Sonya would stop it — and only then, knowing she had done right by the world, could she retreat to a life of hermetic bliss, away from everyone and everything, and live out her days in perfect, silent, uninterrupted solitude.
oh, here was a “funky” song, thought Mrs. Mendelbaum in her snowsuit. She’d even heard it before, maybe, and turned the volume up just a touch — riding on the highway now, the snowmobile sliding along, ever mindful of black ice. What were they saying, though? Something about the future. “Something something the future will B…” Will be what? Was there a future? Wishing someone would tell her, Mrs. Mendelbaum shivered and looked out through her visor at the world. She was so close to Minneapolis — close to everyone, close to the future! But looking up the sky did not look like the sky of the future. It struck her instead as still and lifeless, a great pale corpse slumped over the world. How depressing; it was enough to make her want to take a break. Also she had to pee.
esme passed a taco bell, Carlo’s favourite restaurant. Carlo, lurching Carlo: all chicken soft tacos and pico de gallo and that clumsy slug of a tongue. But, aw, so sweet — he’d made a piñata for her, after all, for her birthday (though he’d filled it with condoms, and when they’d tumbled forth she could have sheared him for wool, his grin was so sheepish). Was it only last night that he’d worked at her button fly — for, what, ever ? — before Esme, like a prisoner unlocking her own cell for a cute but hapless warden, snapped it open: here you go!
She’d wanted so badly for it to be good with Carlo, and when it wasn’t she could only trust it would get better, later. She could wait; she loved him. But here was later, Esme thought, gazing through the windshield. Later was nothing at all.
Maybe a guy like
Esme slid her foot off the accelerator, pulled her hands from the steering wheel, and closed her eyes. Slowly the car decelerated and began to list to the right, toward the shoulder, and blind to the world Esme thought about how she was old enough to do almost everything adults do: she could drive and almost even vote, though now — typical! — there was no one to vote for. There was only
At the crunch of gravel and ice Esme’s eyes snapped open and her hands grabbed the wheel. She jerked the car back onto the road, sweat squelching in her palms. Breathing, now, breathing, with the car locked tightly into the lane and her foot steadying the gas. In the rear-view, a little black blip emerged from the point where the grey of the road vanished into the endless snow — not a car, something smaller. A motorcycle, maybe.
Esme stared, unsure whether to speed up or brake. She was reminded of when, at eight years old during Christmas shopping season, her mom had disappeared at Sears. In that split-second of abandonment the world had expanded, reeling outward from her, infinite and unknown. Here was that again, but now, also, not just the threat of space, but a stranger in that space, and her alone, defenceless.
Seeing a service station ahead, Esme pulled in. She shut the engine off and the radio died with it, silencing mid-line: “Until the end of time, until the end of — ” Immediately the cold began to creep into the car. Esme shivered, wrapping her arms around her shoulders, wishing she’d worn more than a sweatshirt.
The only sound came from the road: whoever was out there was buzzing closer. It became a drone that lulled Esme’s thoughts back to herself, and there she found the pulse of a different kind of imminence — something within her, awakening, changing: the end of one thing and the terrifying, glorious beginning of something else. And then, flinging the door open, she leaned out of the car and barfed into the snow.
how many times had she dreamt of it, Debbie wondered, reapplying mascara in the rear-view, steadying the wheel with her knees. Would they kiss and kiss? Would
“ladies, ladies. Each one of U — keep keepin’ on. I’m here. I’m waitin’. Each one of U is special. This is the future. We’re the future. All of us, 2gether. We’re gonna B 2gether. If U R hearin’ these words it means it’s meant 2 B. I want all U women, every one of U, 2 know each of U is special. I want U 2 think of me and us 2gether and how it’s gonna B: champagne and candlelight. I’m runnin’ a bubble bath. If I were in your arms 2nite — ”
Sonya clicked the radio off. The planet didn’t need this lacy goofball’s sperm!
Soon enough it would be over, she told herself. No one would show up to
Head pulsing, Sonya found herself lulled by the steady growl of the Accord’s cruise control, the sweep of the road under the car. But slowly this became something more sinister. With her foot off the gas it didn’t feel as though she were driving at all; the highway seemed more like a conveyor belt, hauling her through an abandoned world of ice — toward Minneapolis, toward Paisley Park, reined in by
wow, thought Mrs. Mendelbaum, finally, a service station — just in time! But, wait: was that a person sitting there in the parking lot, behind the wheel of a silver coupe?
“imagine u could rid the earth,” Debbie sang along to the radio, easing her thumb in and out of the metal loop of the grenade’s detonator, “of anyone U choose. Which ones would U need the most? And which ones would U lose?”
people. two women. Just outside Minneapolis, leaning on the hood of a silver Audi in the parking lot of a party store, there they were: one big and one small. At first Sonya barely thought anything of it. But then her brain caught up: People!
The Accord hit a patch of black ice, fishtailing as Sonya cranked the wheel this way and that, now spinning across the highway, now turned all the way around and facing north, toward Canada, now Mexico, now the Pacific Ocean, now the Atlantic — and finally, slowing, the car slid back across the highway and bumped up against a snowbank, and rested there, and was still. After a quick check — she was fine — leaving the engine idling and the car half in the ditch, Sonya plunged into the world and staggered toward the women.






