Noisemakers

He stopped and turned to see what the thing in the water was
Untitled Greens, 2010. Digital image, 6,000 × 4,500 pixels (20 × 15 inches)Untitled Greens, 2010. Digital image, 6,000 × 4,500 pixels (20 × 15 inches)

Peter killed the engine in the middle of the lake, the boat rocking up and down on its own waves. They might just drift for a while, maybe lie on the swim platform and smoulder in the sun. He could feel the skin tightening across the bridge of his nose already, on his chest in the open vee of his shirt. He had sunscreen at the cottage but he hated putting it on. Sarah didn’t need it. Or she didn’t used to — lately she was more sensitive, little bits of her flaking off here and there. She was huddled on the bench seat behind Peter, wrapped in a towel even though she hadn’t been in the lake yet.

“Why are we stopping?” she said, her face turned toward the shore, the way they had come.

“I thought we could just drift.” He went and curled around her and her skin was warm where it was exposed. It was good to be behind her, where she couldn’t see him. They had fought the night before and Peter was supposed to be contrite, but he had a hard time with it on the water. The smell was too heady. He should have stayed on shore, where it was easier to be sorry.

“Are you feeling okay?” he said.

“I guess so.”

“Do you want to lie on the swim platform?”

“We’ve been out for a while already.”

“You want to go back.”

The canopy was retracted and the full strength of the sun beat down. Sarah picked up Peter’s hand and spun his family ring around a few times, fingering the initial.

“Let’s take the long way back.” Then she drew her knees up, boxing him out.

The wheel was warm in his hands when he turned sharply into the shore opposite their own, preparing to follow it in a slow perimeter. They liked to look at the other cottages, critiquing paint choices or coveting flower boxes. It wasn’t what Peter thought he would enjoy doing, but there was a ritual to it, an easy bridge Sarah could walk back to him.

As he straightened out of the turn, Sarah shouted and pointed at something in the water. Cursing, Peter jerked the wheel so hard the boat jumped its own wake, slamming down with a jolt that smashed his lower teeth against the uppers. He felt it in the corners of his eyes.

He stopped and turned to see what the thing in the water was. He was still shielding his eyes and squinting when Sarah threw off her towels and dove in. That the thing was a person only registered when Sarah had reached it and begun expertly towing the body in a crosswise rescue pull. Her whip kick was a thing of beauty.

She got to the platform and tried to roll the woman onto it. Peter was slow, moving too slowly, he could hardly move at all, but finally he got there, grabbed an arm and a leg, God she was heavy, she didn’t look that heavy, and he recognized her and he pulled harder all at once and she flopped onto the boat and he felt a ping in his back like something small and wiry had stretched and snapped. It hurt so badly he moaned with his mouth open and couldn’t close it.

Sarah had climbed aboard and was staring. She clearly recognized the young woman, too, although the unconscious face was paler than usual, with an obviously broken nose and hair that had been cut short in seemingly random places, as if someone had grabbed fistfuls and hacked them off. The long bits were pasted to her skin and reached past her shoulders. She was wearing a black dress.

Sarah put her face in her hands and rubbed it like she was washing. Then she shook her head and began arranging the woman, flattening her body and tipping her head back. She did all this carefully, and then she pinched the woman’s broken nose very gently and covered her mouth with her own. The woman’s cheeks bloomed outward. Sarah repeated the process three times, then switched to chest compressions. Peter was standing up with both hands pressed to his back. After several breath cycles, the woman began to cough and then retched, vomit covering her chin and neck. Sarah put a hand under her back and propped her up. She put her fingers in the woman’s mouth and scooped out what vomit remained. She pulled the long pieces of the woman’s hair off her chest and put it behind her back, then rolled her onto her side, facing the water. She pooled lake water in one hand, her fingers held tightly together, and poured it on the woman’s face. The woman was breathing loudly. Sarah climbed onto the bench seat and covered herself with towels again. When Peter didn’t move, she said, “She needs a doctor. We have to get home.”

Lucy was an assistant foley artist for CBC Television, which meant she spent her days faking the sound of footsteps, rustling clothing, and flapping wings. She punched bags of cornstarch and crumpled old audiotape into tangled mounds. After Peter broke things off, she was still friendly and would email once in a while to tell him what she was up to. She told him about the foley artist job when she first got it a year ago, not long after he had sent her the letter saying he couldn’t see her anymore. She wrote back and said she understood and wished him the best. It was Sarah who got the letter. She’d left it on the hall table for him with the rest of the mail, the envelope ripped open ragged and the letter inside creased where it had been grasped in a fist. It was smoothed out and replaced in the envelope and never spoken of. Why Peter had included his return address, he couldn’t imagine.

Lucy had told Peter once that the only way to make the perfect sound effect for a nose breaking was to wrap half-frozen celery in wet fabric and smash it. This was what Peter was thinking as he winced, squatting down to tie the line securely around the cleat. With his back, he didn’t think he could carry Lucy up to the cottage. Could they drag her? What if something was broken inside of her — they could make it worse, couldn’t they? Didn’t being in the water like that cause brain damage? There were two flights of stairs between the dock and the cottage, built into the hill. There was a phone in the boathouse. When he went inside, Sarah was already using it.

“They’re coming,” she said, with her hand cupped over the receiver. She gave him a look like he was being nosy. “Go watch her.”

Lucy was still sprawled on the edge of the boat. He could see her sides going up and down like a dog’s. He’d tried his best to find a gentle path back across the lake. How her face must have felt every ripple.

Sarah came out of the boathouse, her hand clenched as if she still had the phone in it. “I thought about dumping her back in,” she said, well within earshot of Lucy. “Just for a second.” She had a pack of cigarettes and a box of matches.

“Where did you get those?”

“The boathouse.”

“They’re stale — they must be ten years old.”

Sarah glared at him but went back inside.

“Lucy,” he said. “Lucy.”

She sat up, normally and without the struggle Peter had expected. She was bruised already under both eyes. Her blond eyebrows and eyelashes were invisible without makeup and it gave her an alien look.

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2 comment(s)

KathrynAugust 27, 2011 17:08 EST

Wow, what an awesome story! It is amazing how the author can work so much complexity into such a short story. I really felt like I could feel the emotions of the characters. Great read!

NicoleMay 06, 2012 23:31 EST

I must admit that this story has been on my mind for the past few days. The writing is incredible! Looking forward to reading more stuff from the author!

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